Peripheral Memories, Transnational Mobilities: Decolonial Approaches to Visual & Material Traces of Empire
WG2 Meeting: Traces and Social Justice in Lisbon
As part of the WG2 meeting, we are organising a public panel discussion on the theme of reparation. Please join on 30th September at 18:30 (WEST) online.
The colonial project used violence, both overtly and covertly, to reorganize and control social life. Violence was exerted on and through bodies, but also on and through objects. This public dialogue brings together scholars, artists, and activists grappling with collective calls for restitution, for the return of art objects, and for public recognition of these histories of extraction. Drawing on multiple case studies and experiences, the participants will discuss different approaches to restitution and consider how these projects take form in Southern Europe, where histories of empire and dictatorship overlap.
Inês Beleza Barreiros is a visual archaeologist. Her research interests are located at the intersection of visual culture, memory studies and decolonial theory-praxis and their articulation within the history of the Portuguese empire, in particular its contemporary modes of existence. She also holds a special interest in indigenous cosmogonies, animal studies, and trees.
Lee Douglas is a filmmaker, curator, and visual anthropologist who work considers the intersections of history, memory, and visuality in contexts marked by violence, absence, and radical political change. She currently directs the research project “Militant Imaginaries, Colonial Memories”, funded with Marie Sklodowska Curie Individual Fellowship.
Emanuel Matondo is a journalist and activist, currently based in Germany. In 1998, he co-founded the Angolan Anti-Militarism Initiative for Human Rights (IAADH) where his responsibilities include research and public relations, lobbying, advocacy, and actions to promote peace.
Roger Sansi Roca is a sociocultural anthropologist and senior lecturer at the University of Barcelona. He is the author of Art, Anthropology and the Gift; The Anthropologist as Curator; and Fetishes and Monuments: Afro-Brazilian Art & Culture in the 20th Century.
Catarina Simão is an artist and researcher who lives and works between Maputo and Lisbon. Her practice is built upon long-term research projects that entail collaborative partnerships and different forms of presentation to the public. Since 2009, she has worked with the notion of Archive, engaging especially with Mozambique colonial and anti-colonial history. She co-directed a Mozambique TV film called Djambo in 2016 and in 2019 she co-organized together with Oficina de História (Mozambique) the 1st Seminar on Restitution of art and artefacts to Mozambique (CCFM, May 2019).
Organised by Lee Douglas and Inês Beleza Barreiros