Ondřej Daniel
This talk aims to trace vectors of cultural transfer of dub music into the Czech space. Under the heading of solidarity, we find not only state and party-controlled narratives but also subcultural efforts to respond to community racism. Czech adaptations of dub primarily reflected aesthetic distinctions; only later did these communities begin to insist on specific lifestyles, partly shared with other taste-based subcultures.
A link to this chapter:
To further links:
Hypnotix – Hypnotrip archive 1989-2002
Black Rubbish, Searchin’ fa dem Roots, 1985